I’m in Seattle, studying Skinner Releasing. A group of 10 to 20 people come together every summer in Seattle to deepen our relationship to the work.
Skinner Releasing has at it’s foundation the use of imagery to powerfully affect the way we sense our bodies and the way we move.
I still remember the first time I was introduced to this work. It was in San Francisco. I left the dance studio feeling like I was walking on air.
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